Smithsonian Art Museum – Part Two

This is Lee again, continuing my visit to the Smithsonian American Art Museum from the last post.

Picking up right where I left off…


George Washington, 1853, oil on canvas, Rembrandt Peale



Thomas Jefferson, 1805, oil on canvas, Gilbert Stuart



Abraham Lincoln, 1865, photograph, Alexander Gardner


This is my favorite photograph of Roosevelt. The photo most people associate with him is the one taken in a convertible, cigarette holder clenched between smiling teeth. It’s jaunty, and upbeat and friendly. I’ve included it below. But I always think of him as the ultimate badass. One of history’s most powerful and effective people. A real life superhero.  Love this.  that is the face of determination. – Trace

Franklin Delano Roosevelt At Yalta, 1945, gelatin silver print, Samariy Gurariy




And the other half of the true American superhero team…  and ladies that is why I love my husband – Trace

Eleanor Roosevelt, 1946, oil on canvas, Bernard Frydrysiak


While we’re on the subject of heroes….

Rosa Parks, 1983, painted limewood, Marshall Rumbaugh

The Four Justices, 2012, oil on canvas, Nelson Shanks

George S. Patton Jr., 1945, oil on canvas, Boleslaw Czedkowski


Douglas MacArthur, 1952, oil on canvas, Howard Chandler Christy

Dwight Eisenhower, 1947, oil on canvas, Thomas E Stephens


I am, and always have been, fascinated by this man. This is J. Robert Oppenheimer, who oversaw the research and design of the atomic bomb for the Manhattan Project. His team at Los Alomos is the one that tested the first nucelar weapon on July 16, 1945, and later he remarked the event brought to his mind a quote from the Bhagavad Gita; “I am become Death, destroyer of worlds”. Just a few weeks later the United States dropped atomic bombs over Hiroshima and Nagasaki.

The first bomb killed 100,000 people instantly. Mostly civilians. After the war ended, Oppenheimer became chairman of the influential General Advisory Committee of the Atomic Energy Commission. He lobbied aggressively and tirelessly against the further use of nuclear weapons. I cannot even imagine what it must have been to live the rest of his life trying to undo, or make up for, what he did. He suffered from depression, and things did not go well for him in the ten years after the war ended. Over time his efforts raised the ire of defense professionals, and eventually in the 1950s he was discredited and essentially kicked out of influential politics and policy making. He spent the rest of his life trying to continue his work to protect humanity, and eventually died of complications of throat cancer in 1967 at age 62. Personally I think he was a madman.

J. Robert Oppenheimer, 1946, gelatin silver print, Lisette Moddel



Monekana, 2001, bronze, Deborah Butterfield


I totally fell for this. Completely creeped me out.

Duane Hanson is known for super realistic sculptures that often cause viewers to pause with uncertainty about what they are looking at. the museum replaced the original National Enquirer on the table with a more recent one.

Woman Eating, 1971, polyester resin and fiberglass with oil and acrylic paints and found accessories, Duane Hanson




Vessel, 1997, eastern white pine, mesh and tar, Martin Puryear



Here is another beautiful image that has great detail.

Cotopaxi, 1855, oil on canvas, Frederic Edwin Church


And another,

Cayambe, 1858, oil on canvas, Frederic Edwin Church


Just look at the detail of the buildings and people!



The Slave Auction, 1859, painted plaster, John Rogers

The Wounded Scout A Friend In The Swamp, 1864, painted plaster, John Rogers

The Freedman, 1863, bronze, John Quincy Adams Ward

Cho-Looke The Yosemite Fall, 1864, oil on canvas, Albert Bierstadt


Love the ship detail of this painting about the Arctic expedition of Isaac Israel Hayes

Aurora Borealis, 1865, oil on canvas, Frederic Edwin Church



Firebird, 1983, Isaac Witkin

This is one of my favorite things, and I almost missed it.  It’s tucked off into a contemporary art niche.

It’s a large sculpture, and has wonderful detail and little nooks and bonuses all around it. It’s called 35 year portrait, by Robert Arneson.









Katharine Hepburn, 1982, oil on canvas, Everett Raymond Kintsler



Abraham Lincoln, 1887, bronze, Augustus Sait-Gaudens



The Grand Canyon Of Yellowstone, 1893, oil on canvas, Thomas Moran


And to wrap up, here are my absolute favorites. These were the show stoppers that grabbed me from across the room, pulled me right to them, and held my attention for quite a while.

First, the original first Samuel Morse telegraph, “What Hath God Wrought”, May 24, 1844, which permanently shrunk the world.


Preamble, 1987, license plates on vinyl and wood, Mike Wilkins.  That’s pretty cool take a minute and read it – Trace



I could stare at this one all day. I don’t know why. I just really, really like it. I’ve looked at some other stuff by Andrew Wyeth and I don’t like most of it, but a couple are nice. But this one, if I had a house, I would want it hanging there.


Dodges Ridge, 1947, egg tempera on fiberboard, Andrew Wyeth


But this one is my most favorite of all the artwork in the entire museum. It’s by Abbot Thayer, who, it turns out, grew up near Keene, NH where we lived for 15 years. He lived in the shadow of Mount Monadnock, and was instrumental in protecting it from development. Thayer is known for his paintings of angels, but there’s more to him. He was a lover of birds, and also liked to study natural camouflage. He was the first to write about disruptive patterning, and masquerade, where an animal mimics something in the environment. He also discovered counter shading, and eventually the US Navy accepted his proposal for counter shading ships as a means of camouflage.


Angel, 1887, oil on canvas, Abbot Thayer

And that’s the end of my tour of the Smithsonian American Art Museum. Thanks for sticking with me to the end. The next post will be about visiting Ford’s theater, something I have wanted to do since I was a child, and a few miscellaneous things that didn’t amount to a post of their own.

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2 thoughts on “Smithsonian Art Museum – Part Two

  1. Your photos are excellent. I visited that museum about 10 years ago. It is excellent but a bit overwhelming. Thanks for letting us all enjoy it from our homes. Not exactly like being there but pretty close! Sorry you did not know about the metro stop!

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